יום רביעי, 1 ביולי 2015

Here's one thing you get, if you follow the instructions and google "sheriff's universal cheerleaders":

http://www.thenortherner.com/sports/2009/02/03/sheriff-finds-success-in-cheerleading/

יום שני, 29 ביוני 2015

This reminds me of an old Yiddish joke.  Yankel is out strolling and notices that Mendel the mohel has hung a large wooden sign over his storefront.  The sign is a wooden cutout of a man's hat.

Curious, Yankel enters the store and says, "Mendel, for what do you display over your storefront a hat?  You are a mohel, not a hatter!"

Replies Mendel: "Nu, then what should I display?"

יום רביעי, 6 במאי 2015

Is that the cat's name, or the owner's?

And of the three phone-number tags that have been ripped out, how many are from people who found a cat, and how many from people who just want to know Who is Leo Thayer?

יום שני, 9 בפברואר 2015

Who/what was still working -- the cop, the gun, the prostitute?  I like the third option; she took his service revolver while she was still servicing him.

יום שלישי, 6 בינואר 2015

Ulinich, Lena Finkle's Magic Barrel

 

This was fun to read after Petropolis as Lena Finkle is a slightly modified Sasha Goldberg. They both start out with bad hair and a weight problem, both leave a lovable and talented but screwed-up boyfriend in Russia, both end up in Phoenix and married young to an even more screwed-up American, etc. But in each case, some of the details are different in well-chosen, obviously not random, ways. So the _Magic Barrel_ satisfied my curiosity for how the life of a slightly better-looking, brighter, more materially fortunate, but less emotionally stable Sasha could have turned out. There are a lot of subplots here, and some fall into my "I really didn't need to know that" category, but overall this is engaging reading.

To make _Magic Barrel_ even better, Ms. Ulinich could have teamed up with a competent illustrator. Yes, I've read that other reviewer's appreciation for the mixture of styles and the deliberate, theme-correlated, childishness of some of the drawings. But I don't buy it, because even the better drawings are awkward. I understand the concept of cartooning, but when the artist can't draw the same character in a consistent way, well, I don't think anyone would do that on purpose. Sasha Goldberg's artistic ineptitude made for an amusing storyline and the plot device that got her to America, fine, but the world doesn't need to see what a whole novel illustrated by Sasha would have looked like. Ms. Ulinich has already proven she can supply quality literary "content"; there would be no dishonor in outsourcing the art.